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Its 29th edition happens April 28 through May 8 in cinemas across Toronto - as well as online to audiences throughout Canada - and offers programming that reflects every corner and concern of our world. With 226 documentaries from 63 countries (chosen from a total of 2,563 submissions), 49 percent directed by women, the Festival truly has something for everyone.
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Into this giddy (and hopefully not tentative) fray comes the annual Hot Docs Canadian International Documentary Festival - Hot Docs as it is known colloquially - North America’s largest documentary festival and conference and an absolute mind-bending must for fans of non-fiction film. There is a fine film in here somewhere I think the writing just ruined a perfectly good concept.There is genuine excitement in the air as the world slowly returns to post(ish)-pandemic normal, with people cautiously heading to events at communal venues. The singing is great as well, though that’s a pretty low bar for a movie about opera. If there had been more shots of Highland cows on misty moors, maybe I would have enjoyed myself more. If I can muster up some positives, the Scottish scenery is breathtaking. On that note, Millie is an unlikeable protagonist, and Danielle Macdonald isn’t a very good actress, so I just didn’t really care what happened to her after a certain point. Watching Millie cheat on perfect Charlie (emotionally at least) with the sad sack of cardboard just made me dislike her even more than I already did. There is zero chemistry between Millie and Max, and so the audience has no reason to root for the two of them. Max, on the other hand, is rude, brooding, and lacks the charisma needed in a leading man. Millie’s boyfriend back in London, Charlie (Shazaf Latif), is understanding, loyal, supportive, charming, and everything else one could possibly want in a man. Somehow the writers seemed to mix the two up, unfortunately. These types of love triangles, the boyfriend back home and the new, mysterious stranger, only work when the boyfriend back home is a bit of a jerk and the new guy is charming, if a little rough around the edges. But the whole story, and consequently my enjoyment, fell apart soon after that.
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And I will say the first maybe third or so of the runtime is good. I can appreciate a cheesy, Hallmark-style romance when it’s done well. I wanted to like this movie I really did. After she arrives, Millie meets Max (Hugh Skinner), Meghan’s other student who resents having a new rival. A friend suggests she go learn from Meghan Geoffrey-Bishop (Joanna Lumley), a retired opera diva living a secluded life in the Scottish Highlands. But her white-collar job is unfulfilling, so she leaves it to pursue her true passion: becoming an opera singer. She’s a successful fund manager in line for a major promotion, she has a loving boyfriend, and enjoys a beautiful flat in a posh part of London. Millie (Danielle Macdonald) seems to have it all.